FilmsToFestivals Distribution Agency
Bonays, Colacho, Mafalda and Rihanna cling to dance to confront the structural violence that exists in Quibdó, a city with the highest homicide rates in Colombia.
Bonays, Colacho, Mafalda y Rihanna se aferran a la danza para enfrentar la violencia estructural que se vive en Quibdó, una ciudad con los más altos índices de homicidios en Colombia.
The electronic eyes of their cell phones observe the three protagonists on their journey to an industrial flower farm during Germany’s first lockdown. Between selfies and ephemeral voice messages glimpses of the disillusioning destiny of a youth who migrated to Europe in search of a different future.
Con la irrupción de la pandemia, tres jóvenes migrantes dejan Berlín en busca de trabajo en una fábrica de flores en la frontera con Holanda. Entre selfies y mensajes de voz, se entrevé el destino amargo de una juventud que migró a Europa en busca de un futuro distinto.
Faced with the discovery of videographic archive material from their childhood, Bárbara Lago reprograms their childhood’s mythology and reflects on their body traversed by affections, fictions and the passing of time. In these intimate materials, they finds a possibility of thinking about dissident sexualities, the relationship between technology and the human body, language and childhood. The images capture what cannot be named and prepare for the possibility of a fragmented and subjective metamorphosis. Jonathan/Yon is the body outside of social domestication. How does such a body grow in our contemporary societies?