FilmsToFestivals Distribution Agency
A fall into a void can be physical and emotional. This experimental video explores the feeling of vertigo and imbalance through traumatic experiences.
Una caída al vacío puede ser física y emocional. Este video experimental explora la sensación de vértigo y desequilibrio a través de experiencias traumáticas.
There is no love, no kitten, no movie, no watercolors, no whale, no music, nothing of that is enough.
No hay amor, no hay gatito, no hay película, no hay acuarelas, no hay ballena, no hay música, no hay nada de todo eso que alcance.
Miren Felder dies on top of a snowy mountain after a plane crash in 1977. The director discovers secret messages from her grandmother in photographs taken by her military grandfather and offers herself as a medium in a ritual to communicate with her.
Miren Felder muere en la cima de una montaña nevada tras un accidente aéreo en 1977. La directora descubre mensajes secretos de su abuela en las fotografías tomadas por su abuelo militar y se ofrece como médium en un ritual para comunicarse con ella.
A woman sets out to free herself from a troubled relationship in her past that has, in many ways, determined the course of her life. She assembles the pieces and performs a re-enactment.
Una mujer se propone liberarse de una relación turbada de su pasado que, en muchos sentidos, ha determinado el curso de su vida. Mediante una representación ella ensambla las piezas.
A photographer works with different images of his territory and wonders about the landscapes and relationships between the Patagonian steppe’s people, institutions, and wildlife.
Un fotógrafo trabaja con distintas imágenes de su territorio, y se pregunta por los paisajes y las relaciones entre personas, instituciones y animales salvajes de la estepa patagónica.
While working on a commissioned film, the director pictures her mother in an advertising film archive. This image forces her to think about who her mother was, or rather, who was that woman before becoming her mother. To understand, sometimes it is better to look at things from a certain distance.
Mientras trabaja sobre un archivo de cine publicitario la directora cree ver a su madre. Este encuentro fantasmático la obliga a pensar en quién fue su mamá, o más bien, quién fue esa mujer antes de ser su mamá. Para comprender, a veces, es mejor mirar las cosas con cierta distancia.
A series of metaphors illustrate how the sense of touch is an innate form for accessing knowledge. The hands featured in the works exhibited at the Hermitage Museum demonstrate how art can generate ideas that encourage people to know their own limits and want to overcome them.
Una serie de metáforas ilustran cómo el sentido del tacto es una forma innata de acceso al conocimiento, las manos representadas en las obras del Museo Hermitage demuestran cómo el arte produce ideas que impulsan a las personas a conocer sus límites y querer superarlos.
Fire is action. Where everything converges, and melts together. The meeting point, the turning point. What lets us be in this world, take charge of that fire and re-signify what’s inherently human.
Fuego es la acción. Donde todo confluye, el centro de reunión, un punto de inflexión y expansión. Aquello que nos permite ser en el mundo, hacernos cargo del fuego y revalorizar el patrimonio de lo humano.
The electronic eyes of their cell phones observe the three protagonists on their journey to an industrial flower farm during Germany’s first lockdown. Between selfies and ephemeral voice messages glimpses of the disillusioning destiny of a youth who migrated to Europe in search of a different future.
Con la irrupción de la pandemia, tres jóvenes migrantes dejan Berlín en busca de trabajo en una fábrica de flores en la frontera con Holanda. Entre selfies y mensajes de voz, se entrevé el destino amargo de una juventud que migró a Europa en busca de un futuro distinto.
Women in their thirties meet men through dating apps in Buenos Aires. They search for fun and sex but also for kindness and affinity. One doesn’t always find them, but these dates aren’t expressed as failures or achievements, they just draw with humor and tenderness the seek of one on another, and of one in oneself.
Mujeres en sus treinta exploran aplicaciones de levante en Buenos Aires. Buscan diversión y sexo, pero también afecto y afinidad. No siempre lo logran, pero estos encuentros no se traducen en sucesos o fracasos, sino que dibujan con ternura y humor el viaje en sí.
Teaser for Dior about femininity in the world of animation.
Teaser animado para Dior acerca de la femineidad en el mundo de la animación.
For fifteen years, while living in the same house, my mother, sisters and I wrote letters to each other. In this animated essay, the words from that early family routine enter into dialogue with present routines, as a way of exploring the emotional bonds between the women of my family.
A vulture hacks the feet of the main character who, resigned to his punishment, passively accepts this inevitable destiny. Animated short film based on the homonymous story, by Franz Kafka.
Un buitre destroza los pies del protagonista quien, resignado a su castigo, acepta con pasividad a este destino que le es inevitable. Cortometraje animado basado en el relato homónimo de Franz Kafka.
An innocent family rest, but this time a new desire would wake up on Iñaki.
Una inocente siesta familiar como tantas otras, pero esta vez en Iñaki se despierta un nuevo deseo.
A personal and sexual diary. A fake user’s manual whose sophistication and audaciousness free it from the traps of what has to be said and the agenda of commonplace. A discourse with disconcert and without instructions, with an exploring spirit and without restrictions.
Un diario personal y sexual. Un falso manual de uso cuya sofisticación y audacia lo eximen de las trampas de lo que debe ser dicho y de la agenda de lugares comunes. Un discurso con desconcierto y sin instrucciones, con espíritu explorador y sin condicionamientos.
On an astro pitch in Buenos Aires two teams embark on a surreal contest. A satirical reimagining of a football match, that turns into a dance, a seduction of the camera and finally, a Gatsby tea party, while the soundtrack explodes with free jazz.
“Sarna” reflects on the human condition in a non-human environment. A story of howls, barks and desolate glances in the outskirts of the Pan American Highway where most of its inhabitants are stray dogs that roam erratically through the gray and melancholic streets. Our look will be that of a person in the land of dogs with scabies; it will be the vision of a foreigner in the territory of dogs that rummage their bodies – scratching alienated – lying on the asphalt while they look for sunlight.
Faced with the discovery of videographic archive material from their childhood, Bárbara Lago reprograms their childhood’s mythology and reflects on their body traversed by affections, fictions and the passing of time. In these intimate materials, they finds a possibility of thinking about dissident sexualities, the relationship between technology and the human body, language and childhood. The images capture what cannot be named and prepare for the possibility of a fragmented and subjective metamorphosis. Jonathan/Yon is the body outside of social domestication. How does such a body grow in our contemporary societies?
Un verano lejos de casa. Las tardes en el cementerio. La tormenta y la destrucción.
A summer away from home. The afternoons at the cemetery. Storm and destruction.
Apparently, according to some verses of The Internationale, the socialism would be something like a paradise full of brothers and sisters.
Michel lives behind the lagoon. He fishes with his rode and wanders around the fields near the town. He survives only with the indispensable. No traffic, no people, no responsibility, just pure survival. When the evening falls, the roars keep the storm away and keep him safe.
Michel vive detrás de la laguna pescando con su caña. Deambula por los campos aledaños al pueblo. Sobrevive solo con lo imprescindible. Sin tráfico, sin gente, sin responsabilidad, solo pura sobrevivencia. Cuando cae la tarde los rugidos alejan la tormenta y lo mantienen a salvo.
After the mysterious disappearance of his aunt, Mateo begins to remember his childhood at her land in the wild. Between a series of telephone conversations, pierced with the images of two families in the same house, we enter a timeless journey bounded by three stories where the visible occupants get mixed up with the invisible ones.
During the Nazi occupation, a man visits the French town of Salers, where a crazy woman follows him. Many years later, he returns to the same city.